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Buenos Aires, Argentina, 29 / 04/1971.
Always with oil paint on smooth or porous surfaces such as paper, cardboard, cloth or wood. I enjoy painting people, sometimes they are real people, sometimes people who appear clearly in my imagination. In general, people in my paintings live in situations of marginality, but, as in real life, everything has too many colors, shades and textures to be locked into a state final or decisive. That is, this is how I see life, bound and spatulate, painted with brushes with overloading, color brushes that charge, without having been washed from the previous color.
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